Study, guide Prepared by michael. "The, yellow Wallpaper" is a short story centering on the mental deterioration of a young woman. The story is (1) a psychological study, (2) a gothic horror tale, (3) a commentary on the inferior social status of women at the end of the nineteenth century, and (4) a satire ridiculing the so-called rest cure for persons suffering from depression and nervous. New, england Magazine published the story in January 1892 under Gilman's married name, charlotte perkins Stetson. The action takes place in the late 1800s in an upstairs room of a mansion rented for the summer by the narrator and her husband. Charlotte, perkins Gilman based her story on her own experience with a physician who treated her for a nervous disorder, according to an article she wrote for the October 1913 issue.
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It was nursery first and then playroom and gymnasium, i should judge; for the windows are barred for little children, and there are rings and things in the walls. The paint and paper look as if a boys school had used. It is stripped off—the paper—in great patches all around the head of my bed, about as far as I can reach, and in a great place on the other side of the room low down. I never saw a worse paper in my life. One of those sprawling flamboyant patterns committing every artistic sin. It is dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit suicide—plunge off at outrageous angles, destroy themselves in unheard of contradictions.
The color is repellent, almost revolting; a smouldering unclean yellow, strangely faded by the slow-turning sunlight. It is a dull yet lurid orange in some places, a sickly sulphur tint in others. No wonder the children hated it! I should hate it myself if I had to live in this room long. There comes John, and I must put this away,—he hates to have me write a word. We have been here two weeks, and I havent felt like writing before, since that first day. I am sitting by the window now, up in this atrocious nursery, and there is nothing to hinder my writing as much as I please, save lack of strength.
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But John would not hear. He said there was only one window and not room for two beds, and no near room for him if he took another. He is very careful and loving, and hardly lets me stir without special direction. I have a schedule prescription for each hour in the day; he takes all care from me, and so i feel basely ungrateful not to value it more. He said we plan came here solely on my account, that I was to have perfect rest and all the air I could get. Your exercise depends on your strength, my dear, said he, and your food somewhat on your appetite; but air you can absorb all the time. So we took the nursery at the top of the house. It is a big, airy room, the whole floor nearly, with windows that look all ways, and air and sunshine galore.
That spoils my ghostliness, i am afraid, but I look dont care—there is something strange about the house—i can feel. I even said so to john one moonlight evening, but he said what I felt was a draught, and shut the window. I get unreasonably angry with John sometimes. Im sure i never used to be so sensitive. I think it is due to this nervous condition. But John says if I feel so, i shall neglect proper self-control; so i take pains to control myself—before him, at least, and that makes me very tired. I dont like our room a bit. I wanted one downstairs that opened on the piazza and had roses all over the window, and such pretty old-fashioned chintz hangings!
opposition and more society and stimulus—but John says the very worst thing I can do is to think about my condition, and I confess it always makes me feel bad. So i will let it alone and talk about the house. The most beautiful place! It is quite alone, standing well back from the road, quite three miles from the village. It makes me think of English places that you read about, for there are hedges and walls and gates that lock, and lots of separate little houses for the gardeners and people. There is a delicious garden! I never saw such a garden—large and shady, full of box-bordered paths, and lined with long grape-covered arbors with seats under them. There were greenhouses, too, but they are all broken now. There was some legal trouble, i believe, something about the heirs and coheirs; anyhow, the place has been empty for years.
John is a physician, and perhaps—(I would not say eksempel it to a living soul, of course, but this is dead paper and a great relief to my mind)—perhaps that is one reason I do not get well faster. You see he does not believe i am sick! And what can one do? If a physician of high standing, and ones own husband, assures friends and relatives that there is really nothing the matter with one but temporary nervous depression—a slight hysterical tendency—what is one to do? My brother is also a physician, and also of high standing, and he says the same thing. So i take phosphates or phosphites—whichever it is, and tonics, and journeys, and air, and exercise, and am absolutely forbidden to work until i am well again. Personally, i disagree with their ideas. Personally, i believe that congenial work, with excitement and change, would do me good. But what is one to do?
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This is an extract from The yellow Wallpaper, the entire text is available. Org, it is very seldom that mere ordinary people like john and myself secure ancestral halls for the summer. A colonial mansion, a hereditary estate, i would say a haunted house, and reach the height of romantic felicity—but that would be asking too much of fate! Still I will proudly declare that there is something queer about. Else, why should it be let so cheaply? And why have stood so long untenanted? John laughs at me, of course, but one expects summary that in marriage. John is practical in the extreme. He has no patience with faith, an intense horror of superstition, and he scoffs openly at any talk of things not to be felt and seen and put down in figures.